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8 January 1836 – 25 June 1912. Most renowned painters.

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Gaspare Diziani
The Satyr and the Peasant

ID: 98438

Gaspare Diziani The Satyr and the Peasant
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Gaspare Diziani The Satyr and the Peasant


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Gaspare Diziani

(1689 - 17 August 1767) was an Italian painter of the late-Baroque or Roccoco period, active mainly in the Veneto but also in Dresden and Munich. His earliest training was in his native town of Belluno with Antonio Lazzarini, then moved to Venice, to the studio of Gregorio Lazzarini and later that of Sebastiano Ricci. He was seven years older, but otherwise his career was contemporary with the Lazzarini and Ricci fellow-pupil, Giovanni Battista Tiepolo. Between 1710-1720, he painted a group of eight pictures that included the Mary Magdalene for the church of San Stefano in Belluno, and Entry into Jerusalem for San Teodoro in Venice. He also painted three frescoes on the Life of Saint Helena in the Scuola del Vin next to the church of San Silvestro. Dizianies celerity and technical assurance are evident preparatory oil sketches, with color applied in rapid and spirited strokes. He was also working as a scenery painter for the theater and opera in Venice, Munich (1717), and later in Dresden, working with Alessandro Mauro. Diziani was invited to Rome by Cardinal Ottoboni in 1726, to paint a emagnificent decoration for the church of San Lorenzo in Damaso. The decoration is now known only through an engraving by Claude Vasconi. The Sala dei Pastelli in Ca' Rezzonico has an sotto in su allegorical ceiling fresco presenting Triumph of Poetry (Poetry surrounded by Painting, Architecture, Music and Sculpture).   Related Paintings of Gaspare Diziani :. | Christ in the Garden of Gethsemane | Abraham and Three Angels | Finding of Moses | The Adoration of the Magi | The Adoration of the Magi |
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Reinhold Begas
1831-1911 Berlin,was a German sculptor. Begas was born in Berlin to the painter Karl Begas. He received his early education (1846-1851) studying under Christian Daniel Rauch and Ludwig Wilhelm Wichmann. During a period of study in Italy, from 1856 to 1858, he was influenced by Arnold Bocklin and Franz Lenbach in the direction of a naturalistic style in sculpture. This tendency was marked in the group Borussia, executed for the facade of the exchange in Berlin, which first brought him into general notice. In 1861 Begas was appointed professor at the art school at Weimar, but retained the appointment only a few months. That he was chosen, after competition, to execute the statue of Schiller for the Gendarmenmarkt in Berlin, was a high tribute to the fame he had already acquired; and the result, one of the finest statues in the German metropolis, entirely justified his selection. Since the year 1870, Begas dominated the plastic art in the Kingdom of Prussia, but especially in Berlin. Among his chief works during this period are the colossal statue of Borussia for the Hall of Glory; the Neptune fountain in bronze on the Schlossplatz; the statue of Alexander von Humboldt, all in Berlin; the sarcophagus of Emperor Frederick III in the mausoleum of the Church of Peace at Potsdam
William Smith Jewett
1789-1874 William Smith Jewett Galleries
William Mulready
(1 April 1786 - 7 July 1863) was an Irish genre painter living in London. He is best known for his romanticizing depictions of rural scenes, and for creating Mulready stationery letter sheets, issued at the same time as the Penny Black postage stamp. William Mulready was born in Ennis, County Clare. Early in his life, in 1792, the family moved to London, where he was able to get an education and was taught painting well enough so that he was accepted at the Royal Academy School at the age of fourteen. Choosing the Wedding Gown illustrating ch 1 of Vicar of Wakefield by Oliver GoldsmithIn 1802, he married Elizabeth Varley (1784-1864), a landscape painter. Their three children, Paul Augustus (1805-1864), William (1805-1878), and Michael (1807-1889) also became artists. His relationship with his wife however deteriorated gradually over the years, which is detailed in papers stored at the library of the Victoria and Albert Museum. His strong Catholic beliefs prevented any chance of a divorce but they separated. He accused her of "bad conduct" but shied from providing details. In a letter to him in 1827 she blamed him entirely for the collapse of their marriage, suggesting cruelty, pederastic activities and adultery were the reasons. His son, William Mulready Junior (1805-1878), lived in London and maintained a career of a portrait painter and picture restorer. He had five children (Ellen, Mary, Augustus Edwin, Henry William, and John).They also were trained as artists, but not all of them pursued the artistic career: Henry William and John described themselves as 'house painters'. Augustus Edwin Mulready (1844-1904) was the most successful of them and became known as a member of the Cranbrook Colony of artists.






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